����ӰԺ

By the 18th century the King James Bible had succeeded, much as Jerome’s Vulgate had done centuries before, in displacing its rivals. Its triumph is probably most evident in George Frideric Handel’s well known piece of choral music, the��Messiah��(1741-42). The libretto, composed by Charles Jennens, was taken almost exclusively from the King James text. In this lyric form, phrases from the text of the KJB remain familiar today:

'We shall not all sleep, but we shall all be changed in a moment, in the twinkling of an eye, at the last trumpet" (1 Cor. 15:51-52).

'Worthy is the Lamb that was slain, and hath redeemed us to God by his blood, to receive power, and riches, and wisdom, and strength, and honour, and glory, and blessing. Blessing, and honour, glory and power, be unto him that sitteth upon the throne, and unto the Lamb, for ever and ever' (Rev. 5:12-13).��������

The message conveyed through Jennen's lyrics is that Jesus Christ truly is the Messiah prophesised by the Hebrews. Old Testament texts which predicted his coming are used to tell the story of Jesus's life.

Jennens wanted the��Messiah��to be performed in London during Passion Week but Handel chose to perform it in Dublin in April 1742 as the season finale to his series of oratorios and concert works. The first London performance of the��Messiah��at the Theatre Royal, Covent Garden (March 1743) drew a mixed reaction, some critics questioning whether the Scriptures should be heard in a theatre.

Handel's oratorios��Messiah,��Samson��and��Judas Maccabaeus,��combining scared texts with musical brilliance, established his reputation as a great composer. In 1784 King Geroge III lent his enthusiastic support to a huge Handel Commemoration held mostly in Westminster Abbey, featuring the��Messiah,��with choristers and musicians from far and wide taking part in repeat performances. Commemoration events took place in other English cities and generated interest in Europe. The��Messiah��was introduced to Florence (1768), Hamburg 1772, Berlin (1786) and by Mozart, to Vienna (1786-90).