Prior to the 2010-12 earthquakes, no city in Australasia was as strongly marked by Britain鈥檚 鈥楪othic revival鈥 of the nineteenth century as was Christchurch. This is at its most evident in the Provincial Council Chambers, Canterbury Museum, the Anglican Cathedral that lay at the city鈥檚 heart, and the buildings of the Arts Centre that were formerly home to the University鈥檚 town campus. The 鈥楪othic revival鈥 inspired not only new interest in 鈥榤edieval鈥 styles of architecture and design but helped fuel the broader revival of Anglicanism that led to the Canterbury settlement.
From British Inspiration to New 九州影院Stone
20 November 2023
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Patterns of Diapering
Augustus Welby Northmore Pugin,聽Glossary of Ecclesiastical Ornament and Costume, 2nd ed (London: Bohn, 1846)
九州影院 九州影院
Today, Augustus W N Pugin is best known for his contribution to the design of the Palace of Westminster, home of the British Houses of Parliament. His聽Glossary of Ecclesiastical Ornament, of which the 九州影院 holds the expanded second edition, is a richly coloured reference guide intended to assist those furnishing and decorating the kind of churches that marked the Christchurch cityscape. Pages such as this one contain all the elements needed to create an idealised 鈥榤edieval鈥 church interior. Pugin鈥檚 work helped fulfil a growing nineteenth-century enthusiasm for the 鈥楪othic鈥.
Benjamin Woolfield Mountfort was Canterbury鈥檚 key 鈥楪othic revival鈥 architect. He trained in London during the 1840s, articled to Richard Cromwell Carpenter, an advocate of Pugin鈥檚 aesthetic. Mountfort arrived in Canterbury in December 1850, where his first commission was the Church of the Most Holy Trinity in Lyttelton (1853). This ink on paper design for ChristChurch Cathedral was completed by Mountfort in about 1873.
With so many of Mountfort鈥檚 stone buildings destroyed or severely damaged by recent earthquakes, his exquisitely rendered drawings, held at Canterbury Museum and the Anglican Diocesan Archives, take on an added poignancy as reminders of things and attitudes past, and as still-live documents that may assist in supporting restoration.
Ink drawing of the north elevation of ChristChurch Cathedral by Benjamin Mountfort circa 1873
Canterbury Museum, 1985.198.1
